Barney Bigard was one of the most distinctive clarinetists in jazz and a longtime asset to Duke Ellington's orchestra. Although he took clarinet lessons with Lorenzo Tio, Bigard's initial reputation was made as a tenor saxophonist; in fact, based on a few of his recordings (particularly those with Luis Russell), Bigard was number two behind Coleman Hawkins in the mid-'20s. After working with several groups in New Orleans, Bigard moved to Chicago in 1924 where he played with King Oliver during 1925-1927. He would also record with Jelly Roll Morton, Johnny Dodds, and future boss Louis Armstrong in the 1920s but, after short stints with Charles Elgar and Luis Russell, Bigard found his true home with Duke Ellington's orchestra, with whom he almost exclusively played clarinet. Between 1927-1942, he was well featured on a countless number of recordings with Ellington, who understood Bigard's musical strengths and wrote to showcase him at his best. From "Mood Indigo" (which he co-composed) to "Harlem Air Shaft," Bigard was an important fixture of the Ellington orchestra.